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Neil Young

ื˜ื•ื‘ ื–ื” ื‘ื•ื•ื“ืื•ืช ื”ื›ื™ ืืจื•ืš ืฉื”ื™ื” ืœื ื• ืขื“ ื”ื™ื•ื, ืื– ื‘ื‘ืงืฉื” ืชื™ืงื—ื• ื”ืจื‘ื” ืื•ื•ื™ืจ, ืื ื—ื ื• ืžื‘ื˜ื™ื—ื™ื ืฉื–ื” ื”ื•ืœืš ืœื”ื™ื•ืช ืžืื•ื“ ืžืขื ื™ื™ืŸ, ืื– ืžืžืฉ ืœื ื›ื“ืื™ ืœื›ื ืœื”ืคืกื™ื“.


ื ื™ืœ ื™ืื ื’ ื—ื•ื’ื’ ื”ื™ื•ื ื™ื•ืžื”ื•ืœื“ืช ื•ืื ื—ื ื• ื”ื•ืœื›ื™ื ืœืกืคืจ ืœื›ื ืขืœื™ื• 76 (!!) ืขื•ื‘ื“ื•ืช:


(Photo: Michael Putland)


1. ื”ื•ื ื ื•ืœื“ ื‘- 12 ืœื ื•ื‘ืžื‘ืจ 1945 ื‘ื˜ื•ืจื•ื ื˜ื• ืงื ื“ื”.


2. ืฉืžื• ื”ืืžืฆืขื™ ืฉืœ ื™ืื ื’ ื”ื•ื Percival.


3. ืื‘ื™ื• Scott Alexander Young ื”ื™ื” ืขื™ืชื•ื ืื™ ื•ืกื•ืคืจ ื™ื“ื•ืข ื‘ืงื ื“ื” ืืฉืจ ื›ืชื‘ ื™ื•ืชืจ ืž- 30 ืกืคืจื™ื.


4. ื‘ืฉื ืช 1966 ืื•ื‘ื—ืŸ Neil Young ื›ื—ื•ืœื” ืืคื™ืœืคืกื™ื”.


5. ืขืœ-ืืฃ ืฉื”ื•ื ื ื—ืฉื‘ ืงื ื“ื™ ืœื›ืœ ื“ื‘ืจ, ืื™ืžื• ืฉืœ ื™ืื ื’ ื‘ืขืœืช ืฉื•ืจืฉื™ื ืืžืจื™ืงืื™ื™ื ื”ืžื’ื™ืขื™ื ืขื“ ืœื™ืžื™ื” ื”ืจืืฉื•ื ื™ื ืฉืœ ื”ืจืคื•ื‘ืœื™ืงื”.


6. ืœืžืจื•ืช ืฉื™ืื ื’ ื—ื™ ืขืฉืจื•ืช ืฉื ื™ื ื‘ืืจื”"ื‘ ื”ื•ื ืžืขื•ืœื ืœื ื•ื™ืชืจ ืขืœ ืื–ืจื—ื•ืชื• ื”ืงื ื“ื™ืช.


7. ื™ืื ื’ ื”ืื–ื™ืŸ ื‘ืฆืขื™ืจื•ืชื• ืœืจื•ืงื ืจื•ืœ, ืจื•ืงื‘ื™ืœื™, ืžื•ื–ื™ืงืช ืงืื ื˜ืจื™ ื•ืจื™ืช'ื ืื ื“ ื‘ืœื•ื–.


8. ื”ื•ื ื”ืขืจื™ืฅ ืืช ืืœื‘ื™ืก ืคืจืกืœื™ ื•ื”ื•ืฉืคืข ืžืฆ'ืืง ื‘ืจื™, ื”ืื ืง ืžืจื•ื•ื™ืŸ, ืงืœื™ืฃ ืจื™ืฆ'ืืจื“ืก, ื’'ื•ื ื™ ืงืืฉ ื•ืจื•ื™ ืื•ืจื‘ื™ืกื•ืŸ.


9. ื‘ืขื•ื“ื• ื‘ืŸ 7 ื‘ืœื‘ื“ ื ื“ื‘ืง ื™ืื ื’ ื‘ื—ื™ื™ื“ืง ื”ืคื•ืœื™ื• ืืฉืจ ื›ืžืขื˜ ื•ื”ื‘ื™ื ืœืžื•ืชื•.


10. ื‘ืžื”ืœืš ืชื”ืœื™ืš ื”ื”ื—ืœืžื” ืฉืœ ื™ืื ื’ ื”ื‘ื™ืื• ืื•ืชื• ื”ื•ืจื™ื• ืœืคืœื•ืจื™ื“ื” ื”ื—ืžื”, ืฉื ื”ืชื’ื•ืจืจื” ื”ืžืฉืคื—ื” ื‘ืžืฉืš ื—ืฆื™ ืฉื ื” ืขื“ ืœื”ื—ืœืžืชื•.


11. ื”ื›ืœื™ ื”ืจืืฉื•ืŸ ืขืœื™ื• ื ื™ื’ืŸ ื”ื™ื” ื™ื•ืงืœื™ื™ืœื™ ืื•ืชื• ืงื™ื‘ืœ ื‘ืฉื ืช 1958 ื›ืžืชื ืช ื—ื’ ื”ืžื•ืœื“.


12. ืฉื ืชื™ื™ื ืžืื•ื—ืจ ื™ื•ืชืจ, ื‘ืฉื ืช 1960, ื”ืชื’ืจืฉื• ื”ื•ืจื™ื• ื•ืื™ืžื• ืขื‘ืจื” ืื™ืชื• ืœืขื™ืจ ื•ื•ื™ื ื™ืคื’ ื‘ืงื ื“ื”, ืฉื ื”ืงื™ื ืืช ืœื”ืงืชื• ื”ืจืืฉื•ื ื” "The Jades".


13. ื‘ืฉื ืช 1963, ื‘ืขื•ื“ื• ื‘ืŸ 17 ื‘ืœื‘ื“ ื”ื•ื ื”ืฆื˜ืจืฃ ืœืœื”ืงืช "The Squires" ืขื™ืžื” ืฉื—ืจืจ ืืช ื”ืกื™ื ื’ืœ "Sultan/Aurora. ืฉื ื™ ื”ืงื˜ืขื™ื ื‘ืกื’ื ื•ืŸ Surf ื‘ื”ืฉืคืขืช "The Shadows".


14. ื”ื™ื•ื ื™ื“ื•ืข ืขืœ ืงื™ื•ืžื ืฉืœ 10 ืขื•ืชืงื™ื ื‘ืœื‘ื“ ืžื”ืกื™ื ื’ืœ ื”ื–ื”, ืžื” ืฉื”ื•ืคืš ืื•ืชื• ืœืื—ื“ ืžื”ืกื™ื ื’ืœื™ื ื”ื ื“ื™ืจื™ื ื‘ืขื•ืœื.


15. ื‘ื›ื“ื™ ืฉื™ื”ื™ื” ืœื• ืงืœ ืœื”ืชื ื™ื™ื“ ืขื ื”ืฆื™ื•ื“ ืœื”ื•ืคืขื•ืช ืงื ื” Neil Young ืจื›ื‘ ืœื•ื•ื™ื•ืช ื™ืฉืŸ ืžืฉื ืช 1948, ื‘ื• ื”ื™ื• ืžื•ื‘ื™ืœื™ื ืืจื•ื ื•ืช ืงื‘ื•ืจื” (hearse) ื•ื”ืขื ื™ืง ืœื• ืืช ื”ืฉื ื”ืžืฉืขืฉืข Mortimer Hearseburg ืื• ื‘ืงื™ืฆื•ืจ Mort.

(Photo: Rapalje.com)


16. ืืช Stephen Stills ื”ื•ื ืคื’ืฉ ื‘ืฉื ืช 1965 ื›ืฉื”ื•ืคื™ืข ื™ื—ื“ ืขื ืœื”ืงืชื• ื‘ืžื•ืขื“ื•ืŸ ื‘ืื•ื ื˜ืจื™ื• ืงื ื“ื”.


17. ื‘ื™ื•ื ื”ื•ืœื“ืชื• ื”- 19 ื”ื•ื ื›ืชื‘ ืืช ื”ืฉื™ืจ "Sugar Mountain" ืฉื”ื•ืฉืคืขื• ืžื™ืœื“ื•ืชื• ื‘ื•ื•ื™ื ื™ืคื’ ืงื ื“ื”.


18. ื”ืฉื™ืจ ื”ื–ื” ื™ืฆื ืขืœ ื’ื‘ื™ ืืœื‘ื•ื 12 ืฉื ื™ื ืœืื—ืจ ืžื›ืŸ ื‘ืฉื ืช 1977 ื‘ืžืกื’ืจืช ืืœื‘ื•ื ื”ืื•ืกืฃ "Decade".


19. ื‘ืขืช ื›ืชื™ื‘ืช ื”ืฉื™ืจ ื”ื™ื™ืชื” ื”ื–ืžืจืช Joni Mitchell ื—ื‘ืจืชื• ืฉืœ ื™ืื ื’, ื”ื™ื ืื”ื‘ื” ืืช ื”ืฉื™ืจ ื•ื”ื•ืฉืคืขื” ืžืžื ื• ืœื›ืชื™ื‘ืช ื”ืฉื™ืจ "Circle Game".


20. ื‘ืฉื ืช 1966 ื”ืฆื˜ืจืฃ ื™ืื ื’ ืœืœื”ืงืช "Mynah Birds" ื‘ื” ื”ื™ื• ื—ื‘ืจื™ื ื‘ืกื™ืกื˜ ืœื”ืงืช "Buffalo Springfield" ืœืขืชื™ื“ Bruce Palmer, ื•ื›ืŸ Goldy McJohn ื•- Nick St. Nicholas ืฉื™ืงื™ืžื• ื‘ื”ืžืฉืš ืืช ืœื”ืงืช "Steppenwolf" ื•ื‘ื ื•ืกืฃ ืืช ืœื ืื—ืจ ืžืืฉืจ ืืžืŸ ื”Fืื ืง ื•ื”ืกื•ืœ ื”ืฉื—ื•ืจ Rick James, ื›ืŸ ื›ืŸ, ื”ื”ื•ื ืžื”ืœื”ื™ื˜ ื”ืคืจื™ืงื™ "Super Freak".


21. ื™ื—ื“ ืขื ืœื”ืงืช ื”- "Mynah Birds" ื”ื•ื ื”ืฆืœื™ื— ืœื”ืฉื™ื’ ื—ื•ื–ื” ื”ืงืœื˜ื•ืช, ืืš ื‘ืฉืœื‘ ื”ื”ืงืœื˜ื•ืช ืฉืœ ื”ืืœื‘ื•ื ืจื™ืง ื’'ื™ื™ืžืก ื ืขืฆืจ ืœืื—ืจ ืฉืขืจืง ืžื”ืฆื‘ื, ื“ื‘ืจ ืฉื”ื‘ื™ื ืœืคื™ืจื•ืง ื”ืœื”ืงื”.


22. ื™ืื ื’ ื•ื‘ืจื•ืก ืคืืœืžืจ ืžื›ืจื• ืืช ื›ืœ ื”ืฆื™ื•ื“ ืฉืœ ื”ืœื”ืงื” ื•ืจื›ืฉื• ืจื›ื‘ ืœื•ื•ื™ื•ืช ืฉื”ื—ืœื™ืฃ ืืช Mort ืฉื”ืชืงืœืงืœ, ื”ืจื›ื‘ ื”ื—ืœื•ืคื™ ืงื™ื‘ืœ ืืช ื”ืฉื ื”ืžืงื•ืจื™ "Mort II". ื™ื—ื“ ืขื "Mort II" ื”ืฉื ื™ื™ื ื—ืฆื• ืืช ื”ื’ื‘ื•ืœ ืœืืจื”"ื‘ ื‘ืื•ืคืŸ ื‘ืœืชื™ ื—ื•ืงื™, ื‘ื—ื™ืคื•ืฉ ืื—ืจ ืขืชื™ื“ ืžื•ื–ื™ืงืœื™ ื‘ืœื•ืก ืื ื’'ืœืก.


23. ื‘ืžื”ืœืš ื”ืžืกืข ื›ืชื‘ื• ื”ืฉื ื™ื™ื ืืช "Mr. Soul" ืฉื™ื”ืคื•ืš ืœืœื”ื™ื˜ ืฉืœ "Buffalo Springfield".


24. ื‘ื–ืžืŸ ืฉื”ืฉื ื™ื™ื ื”ื™ื• ืชืงื•ืขื™ื ื‘ืคืงืง ื‘ืกืื ืกื˜ ื‘ื•ืœื™ื‘ืจื“ ื‘ืœื•ืก ืื ื’'ืœืก, ื”ื‘ื—ื™ืŸ Stephen Stills ื‘- Mort II ืžื”ืขื‘ืจ ื”ืฉื ื™ ืฉืœ ื”ื›ื‘ื™ืฉ. ื”ื•ื ื”ื™ื” ื™ื—ื“ ืขื ื”ื–ืžืจ ื•ื”ื’ื™ื˜ืจื™ืกื˜ Richie Furay ื‘ืจื›ื‘ ื•ืขืฉื” ืคื ื™ื™ืช ืคืจืกื” ื‘ืœืชื™ ื—ื•ืงื™ืช ื›ื“ื™ ืœื”ืฉื™ื’ ืืช ื™ืื ื’ ื•ืืช ืคืืœืžืจ. ื”ืžืคื’ืฉ ื”ืžืงืจื™ ื”ื–ื” ื”ื•ื ื–ื” ืฉื”ื•ืœื™ื“ ืืช ื”- "Buffalo Springfield".


25. ื”ื‘ื•ืคืืœื• ืกืคืจื™ื ื’ืคื™ืœื“ ื”ืฉืคื™ืขื” ืจื‘ื•ืช ืขืœ ืคื™ืชื•ื— ื–'ืื ืจื™ ื”ืงืื ื˜ืจื™ ืจื•ืง ื•ื”ืคื•ืœืง ืจื•ืง.


26. ื”ืœื”ื™ื˜ ื”ื’ื“ื•ืœ ืฉืœื” "For What It's Worth", ืื•ืžืฅ ืขืœ ื™ื“ื™ ืชื ื•ืขื•ืช ื”ืžืื‘ืง ื‘ืžืœื—ืžืช ื•ื™ื˜ื ืื ื›ื”ื™ืžื ื•ืŸ ืื ื˜ื™ ืžืœื—ืžืชื™. ืจืื• ื›ืืŸ ื‘ื™ืฆื•ืข ืฉืœ ื”ืฉื™ืจ ื›ืžื—ืจื•ื–ืช ืขื "Mr. Soul" ื‘ื• ื™ืื ื’ ืœื•ืงื— ืืช ื”ื”ื•ื‘ืœื”.


27. ืœืื—ืจ ืคื™ืจื•ืงื” ืฉืœ "Buffalo Springfield" ื”ื•ื—ืชื ื™ืื ื’ ืขืœ ื—ื•ื–ื” ื”ืงืœื˜ื•ืช ื›ืืžืŸ ืกื•ืœื• ื•ืฉื—ืจืจ ื‘ื™ื•ื ื”ื•ืœื“ืชื• ื”- 23 ืฉื—ืœ ื‘ืฉื ืช 1968 (ื‘ื“ื™ื•ืง ื”ื™ื•ื ืœืคื ื™ 53 ืฉื ื”), ืืช ืืœื‘ื•ืžื• ื”ืจืืฉื•ืŸ ืฉื ืงืจื ื’ื ืขืœ ืฉืžื• "Neil Young".


28. ื›ืฉื ื” ืœืื—ืจ ืžื›ืŸ ื’ื™ื™ืก ื™ืื ื’ ืืช Danny Whitten, Billy Talbot ื•- Ralph Molina, ืืฉืจ ืื™ืžืฆื• ืœืขืฆืžื ืืช ื”ืฉื "Crazy Horse". ื”ื”ืจื›ื‘ ื”ื–ื” ื™ืฉืžืฉ ื›ืœื”ืงืช ื”ืœื™ื•ื•ื™ ืฉืœื•.


29. ื”ื•ื ื™ืงืœื™ื˜ ื™ื—ื“ ืื™ืชื ืืช ืืœื‘ื•ืžื• ื”ืฉื ื™, "Everybody Knows This Is Nowhere" ืฉื™ื”ื•ื•ื” ื’ื ืืช ืืœื‘ื•ื ื”ืคืจื™ืฆื” ืฉืœื•.


30. ืืช ื”ืฉื™ืจื™ื ื”ืžื•ืคืชื™ื™ื "Cinnamon Girl", "Cowgirl in the Sand", ื•- "Down by the River" ืžืงืœื™ื˜ ื™ืื ื’ ื‘ืขื•ื“ื• ื—ื•ืœื” ืขื 40 ืžืขืœื•ืช.


31. ืœืื—ืจ ืฉื—ืจื•ืจ ื”ืืœื‘ื•ื "Everybody Knows This Is Nowhere" ืžืฆื˜ืจืฃ ื™ืื ื’ ืœืฉืœื™ืฉื™ื™ื” Crosby, Stills & Nash.


32. ื”ื”ื•ืคืขื” ื”ืฉื ื™ื” ืฉืœ ื”ืจื‘ื™ืขื™ื” ื”ืžืชื’ื‘ืฉืช ื”ื™ื™ืชื” ื‘ืคืกื™ื˜ื‘ืœ Woodstock.


33. ื™ืื ื’ ื”ืชื ื’ื“ ืฉื™ืฆืœืžื• ืื•ืชื• ื‘ืžื”ืœืš ื”ืคืกื˜ื™ื‘ืœ ื•ืืคื™ืœื• ืื™ื™ื ืขืœ ืื—ื“ ื”ืฆืœืžื™ื ืฉืื ื”ื•ื ื™ืชืงืจื‘ ืืœื™ื• ื”ื•ื ื™ื›ื” ืื•ืชื• ืขื ื”ื’ื™ื˜ืจื” ืฉืœื•, ื•ืœื›ืŸ ื”ืฉื™ืจื™ื ื”ื™ื—ื™ื“ื™ื ืฉืฆื•ืœืžื• ื‘ืื•ืชื” ื”ื•ืคืขื” ื”ืŸ ืฉืœ "CSN" ืœืœื ื™ืื ื’.


34. ื›ืืŸ ื”ืžืงื•ื ืœื”ื–ื›ื™ืจ ืฉื”ื’ื™ื˜ืจื” ื”ื—ืฉืžืœื™ืช ื”ืื”ื•ื‘ื” ืขืœ ื™ืื ื’ ื”ื™ื "Gibson Les Paul Goldtop 1953", ื’ื™ื˜ืจื” ืงืฉื•ื—ื” ื‘ืžื™ื•ื—ื“ ืฉื ื•ืฉืืช ืืช ื”ืฉื "Old Black".


35. 25 ืฉื ื” ืœืื—ืจ ืžื›ืŸ ืงื™ื‘ืœ ื™ืื ื’ ื”ืฆืขื” ืคื ื˜ืกื˜ื™ืช ืฉืœ 1,000,000 ื“ื•ืœืจ ื›ื“ื™ ืœื”ื•ืคื™ืข ื‘ืคืกื˜ื™ื‘ืœ ื•ื•ื“ืกื˜ื•ืง 1994. ื™ืื ื’ ืกื™ืจื‘ ื‘ื˜ืขื ื” ืฉื”ืื™ืจื•ืข ืžืžืกื•ื—ืจ ืžื™ื“ื™ ื•ืฉื”ื•ื ืžืขื“ื™ืฃ ืœื”ื™ืฉืืจ ืขื ื”ื–ื™ื›ืจื•ืŸ ื•ื”ืื•ื•ื™ืจื” ืฉืœ ื”ืคืกื˜ื™ื‘ืœ ื”ืžืงื•ืจื™.


36. ื™ืื ื’ ืœื ื”ื™ื” ื”ื‘ื—ื™ืจื” ื”ืจืืฉื•ื ื” ืฉืœ "Crosby, Stills & Nash". ื—ื‘ืจืช ื”ืชืงืœื™ื˜ื™ื ืฉืœื”ื ื—ืฉื‘ื” ืฉื”ื ืฆืจื™ื›ื™ื ืงืœื™ื“ืŸ ื•ื”ืžืœื™ืฆื” ืขืœ Steve Winwood, ืืš ื”ื•ื ื”ื™ื” ืขืกื•ืง ื‘ืื•ืชื• ื–ืžืŸ ืขื ื”ืกื•ืคืจื’ืจื•ืค "Blind Faith".


37. ื‘ื—ื•ื“ืฉ ืžืจืฅ 1970 ืžืฉื—ืจืจ ื™ืื ื’ ื‘ืžืกื’ืจืช ื”ื”ืจื›ื‘ "Crosby, Stills, Nash & Young" ืืช ื”ืืœื‘ื•ื ื”ืžืฆืœื™ื— Dรฉjร  Vu.


38. ื‘ืื•ืชื” ืฉื ื” ื”ื•ื ื›ื•ืชื‘ ืืช ืฉื™ืจ ื”ืžื—ืื” "Ohio" ื‘ืชื’ื•ื‘ื” ืœืจืฆื— ืืจื‘ืขืช ื”ืกื˜ื•ื“ื ื˜ื™ื ื‘ืื•ื ื™ื‘ืจืกื˜ื™ืช Kent State, ืขืœ-ื™ื“ื™ ื”ืžืฉืžืจ ื”ืœืื•ืžื™.


39. ื‘ื—ื•ื“ืฉ ืื•ื’ื•ืกื˜ 1970 ื™ืื ื’ ื›ื‘ืจ ืžืฉื—ืจืจ ืืช ืืœื‘ื•ืžื• ื”ืฉืœื™ืฉื™ "After the Gold Rush" ืืฉืจ ื›ื•ืœืœ ืืช ื”ืฉื™ืจ "Southern Man", ืฉื™ืจ ืžื—ืื” ื ื’ื“ ื”ื’ื–ืขื ื•ืช ื•ื”ื™ื—ืก ืœืฉื—ื•ืจื™ื.


40. ื‘ืฉื ืช 1972 ื”ื•ื ืžืฉื—ืจืจ ืืช ืืœื‘ื•ื ื”ืžืืกื˜ืจืคื™ืก "Harvest", ืืฉืจ ื›ื•ืœืœ ื‘ื™ืŸ ื”ื™ืชืจ ืืช ื”ืฉื™ืจ "The Needle and the Damage Done", ืื•ืชื• ื›ืชื‘ ื™ืื ื’ ืขืœ ื”ื”ืชืžื›ืจื•ืช ืฉืœ ื”ื’ื™ื˜ืจื™ืกื˜ Danny Whitten, ืืฉืจ ื’ื ื ืคื˜ืจ ื›ืžื” ื—ื•ื“ืฉื™ื ืœืื—ืจ ืžื›ืŸ ืžืžื ืช ื™ืชืจ ืฉืœ ื”ื™ืจื•ืื™ืŸ.


41. ื‘ืืœื‘ื•ื ื”ืชืืจื—ื• ื›ืœ ื—ื‘ืจื™ "Crosby, Stills & Nash", ื–ืžืจืช ื”ืงืื ื˜ืจื™ Linda Ronstadt ื•- James Taylor.


42. ืœืžืจื•ืช ืฉืฉื—ืจืจ ื‘ืžื”ืœืš ื”ืงืจื™ื™ืจื” ื”ืžืคื•ืืจืช ืฉืœื• ืžืื•ืช ืฉื™ืจื™ื ื”ืฉื™ืจ "Heart of Gold" ื”ื•ื ื”ืฉื™ืจ ื”ื™ื—ื™ื“ื™ ืฉืœื• ืฉื”ื’ื™ืข ืœืžืงื•ื ื”ืจืืฉื•ืŸ ื‘ืžืฆืขื“ื™ื.


43. ื”ืืœื‘ื•ื ื’ื ื›ื•ืœืœ ืืช ื”ืฉื™ืจ "Alabama" ืืฉืจ ืขื•ืกืง ื‘ืื•ืชื• ื ื•ืฉื ืฉืœ ื”ืฉื™ืจ "Southern Man" ื‘ืžื—ืื” ื›ื ื’ื“ ื’ื–ืขื ื•ืช ื ื’ื“ ืฉื—ื•ืจื™ื.


44. ื—ื‘ืจื™ ืœื”ืงืช "Lynyrd Skynyrd" "ื”ื“ืจื•ืžื™ื™ื" ืœื ื ืฉืืจื• ื—ื™ื™ื‘ื™ื ื•ืฉื—ืจืจื• ื‘ืฉื ืช 1974 ืืช ื”ืฉื™ืจ ื”ืžืฆืœื™ื— "Sweet Home Alabama" ื•ื‘ื• ืชื’ื•ื‘ื” ื™ืฉื™ืจื” ืœื ื™ืœ ื™ืื ื’ ืื•ืชื• ื”ืขืจื™ืฆื•, ื‘ื™ืŸ ื”ื™ืชืจ ื‘ืžื™ืœื™ื: "I hope Neil Young will remember A Southern man don't need him around anyhow".


45. ื”ืžืจื™ื‘ื” ื‘ื™ืŸ "Lynyrd Skynyrd" ืœื™ืื ื’ ื ื•ืคื—ื” ืขืœ-ื™ื“ ื”ืžื“ื™ื”, ื‘ืคื•ืขืœ ืฉื ื™ ื”ืฆื“ื“ื™ื ื”ืžืฉื™ื›ื• ืœื”ืขืจื™ืฅ ื–ื” ืืช ื–ื”, ื•ืœืจืื™ื” ื–ืžืจ ื”ืกืงื™ื ืจื“'ืก ืจื•ื ื™ ื•ืืŸ ื–ืื ื˜ ืžื•ืคื™ืข ืขื ื—ื•ืœืฆื” ืฉืœ ื ื™ืœ ื™ืื ื’ ืขืœ ืขื˜ื™ืคืช ื”ืืœื‘ื•ื "Street Survivors" ืฉืœ ื”ืœื”ืงื”.


46. ื‘ืฉื ืช 1973 ืžืงืœื™ื˜ ื™ืื ื’ ืืช ืžื” ืฉืืžื•ืจ ื”ื™ื” ืœื”ื™ื•ืช ืืœื‘ื•ืžื• ื”ืจื‘ื™ืขื™ "Tonightโ€™s The Night". ื”ืืœื‘ื•ื ื”ื™ื” ืงื•ื“ืจ ื•ื“ื›ืื•ื ื™ ื•ื”ื•ื ื”ืชื™ื™ื—ืก ืœื ื•ืฉืื™ื ื›ืžื• ืื•ื‘ื“ืŸ ื•ืžื•ื•ืช, ื‘ื”ืฉืคืขืช ืžื•ืชื ืฉืœ ืฉื ื™ ื—ื‘ืจื™ื• ืฉืœ ื™ืื ื’, Danny Whitten ื•- Bruce Berry ืžืžื ืช ื™ืชืจ ืฉืœ ื”ื™ืจื•ืื™ืŸ.


47. ื—ื‘ืจืช ื”ืชืงืœื™ื˜ื™ื ืฉืฉืžืขื” ืืช ื”ืืœื‘ื•ื, ื›ืœ-ื›ืš ื ื‘ื”ืœื” ืžื”ืชื•ื›ืŸ, ืฉื—ืฉื‘ื” ืฉื”ื•ื ื™ื”ื™ื” ื›ืฉืœื•ืŸ ืžืกื—ืจื™ ื•ื”ื—ืœื™ื˜ื” ืฉืœื ืœื”ื•ืฆื™ืื• ืœืื•ืจ. ื”ืืœื‘ื•ื ืฉื•ื—ืจืจ ืœื‘ืกื•ืฃ ืฉื ืชื™ื™ื ืœืื—ืจ ืžื›ืŸ ืœืื—ืจ ื”ืืœื‘ื•ืžื™ื "Time Fades Away" ื•- "On The Beach".


48. ืฉืœื•ืฉืช ื”ืืœื‘ื•ืžื™ื ื”ืœืœื• ื™ื“ื•ืขื™ื ื›ื˜ืจื™ืœื•ื’ื™ื™ืช "ื”ืฉื•ื—ื”" ืื• "ื‘ื•ืจ ื”ืชืขืœื”" ืฉืœ ื™ืื ื’ (The Ditch Trilogy), ื”ื•ืื™ืœ ื•ื”ื ืฉื•ื—ืจืจื• ื‘ืžื”ืœืš ื”ืชืงื•ืคื” ื”ืžืœื ื›ื•ืœื™ืช, ื”ืงื•ื“ืจืช ื•ื”ืืคืœื” ืฉืœื•.


49. ื‘ืฉื ืช 1976 ื›ืืฉืจ ืงืจื•ืกื‘ื™ ื•ื ืืฉ ื”ืงืœื™ื˜ื• ื•ื”ื•ืคื™ืขื• ืชื—ืช ื”ืฉื "Crosby & Nash", ื™ืื ื’ ื•ืกื˜ื™ืœืก ื”ืงื™ืžื• ืืช "The Stills-Young Band" ื•ืฉื—ืจืจื• ืืช ื”ืืœื‘ื•ื "Long May You Run".


50. ื”ืื™ื“ื™ืœื™ื” ื‘ื™ืŸ ื”ืฉื ื™ื™ื ื”ืชืคืจืงื” ืœืื—ืจ ืชืฉืข ื”ื•ืคืขื•ืช ื‘ืœื‘ื“, ื‘ืขื•ื“ ื™ืื ื’ ื ื•ื˜ืฉ ืืช ืกื˜ื™ืœืก ื‘ื”ื•ื“ืขืช ื˜ืœื’ืจื.


51. ื‘ืฉื ืช 1976 ื™ืื ื’ ืžืฆื˜ืจืฃ ืœืœื”ืงืช "The Band" ืœืžื•ืคืข ื”ืื—ืจื•ืŸ ืฉืœื”ื ืืฉืจ ื”ื•ืงืœื˜ ืœืืœื‘ื•ื ื•ืœืกืจื˜ The Last Waltz ืฉืœ ืžืจื˜ื™ืŸ ืกืงื•ืจืกื–ื”.


52. ื‘ืฉื ืช 1979 ืžืฉื—ืจืจ ื™ืื ื’ ืืช ืืœื‘ื•ืžื• "Rust Never Sleeps", ืืœื‘ื•ื ืฉื‘ื”ืžืฉืš ื™ื”ื•ื•ื” ืืช ืื—ืช ื”ืกื™ื‘ื•ืช ืœื›ืš ืฉื”ื›ื™ื ื•ื™ "ืกื ื“ืง ื”ื’ืจืื ื’'" ื“ื‘ืง ื‘ื•, ื‘ื™ืŸ ื”ื™ืชืจ ื‘ืฉืœ ื”ืคื™ื“ื‘ืงื™ื, ื”ื“ื™ืกื˜ื•ืจืฉื ื™ื ื•ื”ืฆืœื™ืœ ื”ืžื—ื•ืกืคืก ืฉื ื”ื’ ืœื”ืคื™ืง ืžื”ื’ื™ื˜ืจื”.


53. ื‘ืžื›ืชื‘ ื”ื”ืชืื‘ื“ื•ืช ืฉืœ Kurt Cobain, ืฆื™ื˜ื˜ ืงื•ื‘ื™ื™ืŸ ื—ืœืง ืžืžื™ืœื•ืช ื”ืฉื™ืจ โ€œHey Hey, My Myโ€ ืžืชื•ืš ื”ืืœื‘ื•ื ื”ื "ืœ.


54. ื”ื™ื“ื™ืขื” ืขืœ ื”ืชืื‘ื“ื•ืชื• ืฉืœ Kurt Cobain ื•ืชื•ื›ืŸ ืžื›ืชื‘ ื”ื”ืชืื‘ื“ื•ืช ืชื•ืคืกืช ืืช ื™ืื ื’ ื‘ืžื”ืœืš ื”ืงืœื˜ืช ื”ืืœื‘ื•ื "Sleeps With Angels" ื‘ืฉื ืช 1993. ื™ืื ื’ ืœื ื ืฉืืจ ืื“ื™ืฉ ืœืžืื•ืจืข ื”ื˜ืจืื’ื™ ื•ื”ื“ื‘ืจ ืžืงื‘ืœ ื‘ื™ื˜ื•ื™ ื‘ืฉื™ืจื™ื ื—ื“ืฉื™ื ืฉื ื›ืชื‘ื™ื ื‘ืขืงื‘ื•ืช ืžื•ืชื• ืฉืœ ืงื•ื‘ื™ื™ืŸ ื•ื ื›ืœืœื™ื ื‘ืืœื‘ื•ื ื”ื "ืœ ืฉื”ื•ืงื“ืฉ ืœื•.


55. ื‘ืื•ืชื” ืฉื ื” ื—ื™ืžืžื” ืœื”ืงืช "Pearl Jam" ืืช ื™ืื ื’ ื‘ืžื”ืœืš ื”ื•ืคืขื•ืชื™ื•. ื™ืื ื’ ื ื”ื’ ืœื”ืขืœื•ืช ืืช ื—ื‘ืจื™ ืคืจืœ ื’'ืื ืœื‘ืžื” ื‘ืžื”ืœืš ื”ื”ื“ืจื ื™ื, ื‘ื›ื“ื™ ืœื‘ืฆืข ืื™ืชื• ืืช ื”ื”ืžื ื•ืŸ "Rockinโ€™ in the Free World" ืžื”ืืœื‘ื•ื "Freedom".


56. ื”ื—ื™ื‘ื•ืจ ื”ื–ื” ืขื‘ื“ ื›ืœ-ื›ืš ื˜ื•ื‘ ืฉื—ื‘ืจื™ "Pearl Jam" ื—ื•ื‘ืจื™ื ืœื™ืื ื’ ืœื”ืงืœื˜ืช ื”ืืœื‘ื•ื ื”ืžืฉื•ืชืฃ "Mirror Ball" ืฉืฉื•ื—ืจืจ ื‘ืฉื ืช 1995.


57. ื ื™ืœ ื™ืื ื’ ื•- "Pearl Jam" ืžื™ื ื•ืก Eddie Vedder ืžื’ื™ืขื™ื ื‘ืื•ืชื” ืฉื ื” ืœืฉืชื™ ื”ื•ืคืขื•ืช ื‘ื™ืฉืจืืœ.


58. ื‘ืฉื ืช 1982 ืžืฉื—ืจืจ ื™ืื ื’ ืืœื‘ื•ื ืืœืงื˜ืจื•ื ื™ ื ื™ืกื™ื•ื ื™ ืฉื ืงืจื "Trans". ื™ืื ื’ ืกื™ืคืจ ืฉื ื™ืกื” ืœืชืงืฉืจ ื‘ืืžืฆืขื•ืช ื”ืžื•ื–ื™ืงื” ื”ื ื™ืกื™ื•ื ื™ืช ืขื ื‘ื ื• ืฉืœืงื” ื‘ืฉื™ืชื•ืง ืžื•ื—ื™ืŸ ืฉื›ืŸ ื”ืจื’ื™ืฉ ืฉืขื™ื•ื•ืช ื”ืงื•ืœ ืฉืœื• (ื›ืคื™ ืฉื ืขืฉื” ื‘ืืœื‘ื•ื) ื™ืกื™ื™ืข ื‘ื›ืš.


59. ื”ืืœื‘ื•ื ื”ื–ื” ื™ืฆืจ ืžืชื™ื—ื•ืช ื’ื“ื•ืœื” ื‘ื™ืŸ ื™ืื ื’ ืœื—ื‘ืจืช ื”ืชืงืœื™ื˜ื™ื, ืืฉืจ ื”ื’ื™ืข ืœืฉื™ืื• ื›ืฉื—ื‘ืจืช ื”ืชืงืœื™ื˜ื™ื ืกื™ืจื‘ื” ืœืฉื—ืจืจ ื—ื•ืžืจ ืฉื™ืื ื’ ื›ื‘ืจ ื”ืงืœื™ื˜ ืœืืœื‘ื•ืžื• ื”ื‘ื ืฉื”ื™ื” ืืžื•ืจ ืœื”ื™ืงืจื Old Ways.


60. ื‘ืชื’ื•ื‘ื”, ื™ืื ื’ ื ื›ื ืก ืœืื•ืœืคืŸ ื•ืจืงื— ื‘ืžื”ื™ืจื•ืช ื—ื•ืžืจ ื—ื“ืฉ ืœื—ืœื•ื˜ื™ืŸ ื‘ืกื’ื ื•ืŸ "ืจื•ืงื‘ื™ืœื™", ืื•ืชื• ื”ืงืœื™ื˜ ื‘ืžื”ื™ืจื•ืช ืœืืœื‘ื•ื Everybody's Rockin', ืืฉืจ ืฉื•ื—ืจืจ ื‘ืฉื ืช 1983 ื•ื”ื™ื” ืœืืœื‘ื•ื ื”ืงืฆืจ ื‘ื™ื•ืชืจ ื‘ืงืจื™ื™ืจื” ืฉืœ ื™ืื ื’, ืฉืื•ืจื›ื• 25 ื“ืงื•ืช ื‘ืœื‘ื“.


61. ื‘ืขืงื‘ื•ืช ื›ืš ื”ื’ื™ืฉื” ื—ื‘ืจืช ื”ืชืงืœื™ื˜ื™ื ื ื’ื“ ื™ืื ื“ ืชื‘ื™ืขื” ืžืฉืคื˜ื™ืช, ื‘ื˜ืขื ื” ืฉืฉื—ืจืจ ื‘ืื•ืคืŸ ืžื›ื•ื•ืŸ ืืœื‘ื•ืžื™ื ืœื ืžืกื—ืจื™ื™ื. ื™ืื ื’ ืžืฆื™ื“ื• ื”ื’ื™ืฉ ืชื‘ื™ืขื” ื ื’ื“ื™ืช ื‘ื˜ืขื ื” ืฉืœ ื”ืคืจืช ื—ื•ื–ื”, ืฉื›ืŸ ืœื˜ืขื ืชื• ื‘ืžืกื’ืจืช ื”ื—ื•ื–ื” ื ื™ืชืŸ ืœื• ื—ื•ืคืฉ ื™ืฆื™ืจื” ืžืœื ืื•ืชื• ื”ื™ื ืฉืœืœื” ืžืžื ื•. ื™ืื ื’ ื ื™ืฆื— ื‘ืชื‘ื™ืขืชื•.


62. ื‘ืฉื ืช 1991 ืžืฉื—ืจืจ ื™ืื ื’ ืืœื‘ื•ื ืฉืœื (Arc) ื”ื›ื•ืœืœ ืจืขืฉื™ ืคื™ื“ื‘ืงื™ื ืฉืœ ื’ื™ื˜ืจื” ืฉื”ื•ืงืœื˜ื• ื‘ืžื”ืœืš ื”ื•ืคืขื•ืชื™ื•. ืืช ื”ืืœื‘ื•ื ื”ื•ื ื”ื•ืฆื™ื ื‘ืขืฆืช Thurston Moore ืžืœื”ืงืช "Sonic Youth".


63. ื‘ืฉื ืช 1997 ื”ื—ืจื™ื ื™ืื ื’ ืืช ื˜ืงืก ื”ื›ื ื™ืกื” ืฉืœ ืœื”ืงืชื• "Buffalo Springfield" ืœ- "Rock Nโ€™ Roll Hall Of Fame" ื›ื™ ื—ืฉื‘ ืฉื”ื˜ืงืก ืžืžื•ืกื—ืจ ืžื™ื“ื™, ืœืื—ืจ ืฉื’ื™ืœื” ืฉืžืืจื’ื ื™ ื”ื˜ืงืก ื“ื•ืจืฉื™ื 1,200 ื“ื•ืœืจ ืœื›ืจื˜ื™ืก ื›ื ื™ืกื” ืœื˜ืงืก.


64. ืฉื ืชื™ื™ื ืงื•ื“ื ืœื›ืŸ ื‘ืฉื ืช 1995 ื”ื•ื ื ื›ื ืก ื›ืืžืŸ ืกื•ืœื• ืœ- "Rock Nโ€™ Roll Hall Of Fame", ื‘ื ื™ื’ื•ื“ ืœื˜ืงืก ืžืฉื ืช 1997, ื‘ืžืงืจื” ื–ื” ื”ื•ื ืœื ื”ื—ืจื™ื ืืช ื”ื˜ืงืก. ืื’ื‘ ืžื™ ืฉื”ื–ืžื™ืŸ ืื•ืชื• ืœืงื‘ืœ ืืช ื”ืคืจืก ื”ื™ื” ืœื ืื—ืจ ืžืืฉืจ Eddie Vedder.


65. ื™ืื ื’ ื”ื•ื ื”ืืžืŸ ื”ืจืืฉื•ืŸ ืฉื”ืงืœื™ื˜ ืฉืชื™ ื”ื•ืคืขื•ืช ืฉื•ื ื•ืช ื‘ืกื“ืจืช ื”- MTV Unplugged. ื–ื” ืงืจื” ืื—ืจื™ ืฉื™ืื ื’ ืœื—ืœื•ื˜ื™ืŸ ืœื ื”ื™ื” ืžืจื•ืฆื” ืžื‘ื™ืฆื•ืขื™ื• ื‘ื”ื•ืคืขื” ื”ืจืืฉื•ื ื”, ืขื“ ื›ื“ื™ ื›ืš ืฉื”ื•ื ื ื˜ืฉ ืืช ื”ืžื•ืคืข ื‘ืขื•ื“ื• ื‘ืื™ื‘ื•. ื™ืื ื’ ื—ื–ืจ ืœืžื•ืคืข ื ื•ืกืฃ ื—ื•ื“ืฉื™ื™ื ืœืื—ืจ ืžื›ืŸ ื•ื”ืคืขื ื”ืงืกื ืขื‘ื“ ื•ื›ืš ื ื•ืœื“ ืืœื‘ื•ื ื”ืื ืคืœืื’ื“ ื”ื ืคืœื ืฉืœ ื™ืื ื’ ืฉื ืงืจื ืคืฉื•ื˜ "Unplugged".


66. ื™ืื ื’ ื”ืคื™ืง ื”ื—ืœ ืžืจืืฉื™ืช ืฉื ื•ืช ื”ืฉื‘ืขื™ื ืžืกืคืจ ืกืจื˜ื™ื ืชื—ืช ื”ืฉื ื”ื‘ื“ื•ื™ Bernard Shakey.


67. ื™ืื ื’ ื”ื™ื” ืฉื•ืชืฃ ื‘ื—ื‘ืจืช "PonoMusic" ืฉืคื™ืชื—ื” ื ื’ื ื™ ืžื•ื–ื™ืงื” ื•ืฉื™ืจื•ืชื™ ื”ื•ืจื“ื” ื•ืกื˜ืจื™ืžื™ื ื’ ืœืžื•ื–ื™ืงื” ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”. ื™ืื ื’ ืกืœื“ ืžื”ืื™ื›ื•ื™ื•ืช ืฉืœ ืคื•ืจืžื˜ ื”- 3MP ื•ื“ื•ืžื™ื• ื•ื˜ืขืŸ ืฉื”ืื™ื›ื•ืช ืฉืœื”ื ื›ืœ-ื›ืš ื™ืจื•ื“ื” ืขื“ ื›ื™ ืœื ื ื™ืชืŸ ืœื”ื ื•ืช ื›ืš ืžืžื•ื–ื™ืงื”.


68. ื”ื•ื ื’ื ืžื™ืžืฉ ืืช ืื”ื‘ืชื• ืœืจื›ื‘ื•ืช ื‘ื”ื™ื•ืชื• ืฉื•ืชืฃ ื‘ื—ื‘ืจืช ืฉื™ืฆืจื” ืจื›ื‘ื•ืช ืฆืขืฆื•ืข ื•ื ืงืจืื” Lionel Trains.


69. ื™ืื ื’ ื›ืžืขื˜ ื”ืฉื™ื’ ื—ื•ื–ื” ื”ืงืœื˜ื•ืช ืœืœื ืื—ืจ ืžืืฉืจ ื”ืจื•ืฆื— ื”ืžื•ืจืฉืข ืฆ'ืืจืœืก ืžื ืกื•ืŸ. ื”ื•ื ืคื’ืฉ ืื•ืชื• ื‘ืฉื ืช 1968 ื‘ื‘ื™ืชื• ืฉืœ ื“ื ื™ืก ื•ื•ื™ืœืกื•ืŸ ื”ืžืชื•ืคืฃ ืฉืœ ื”ื‘ื™ืฅ' ื‘ื•ื™ื– ื•ื”ืžืœื™ืฅ ืขืœื™ื• ืœื—ื‘ืจืช ื”ืชืงืœื™ื˜ื™ื "Reprise".


70. ื™ืื ื’ ืžืขื•ืœื ืœื ื”ืกื›ื™ื ืฉื‘ืฉื™ืจื™ื• ื™ืขืฉื” ืฉื™ืžื•ืฉ ืœืคื™ืจืกื•ืžื•ืช.


71. ื”ื•ื ื™ืฆื ื‘ืฉื™ืจื™ื• ื›ื ื’ื“ ืฉื ื™ ื ืฉื™ืื™ ืืจืฆื•ืช ื”ื‘ืจื™ืช - ื‘ื•ืฉ ื”ืื‘ ื•ื”ื‘ืŸ. ื”ืžื—ืื” ื›ื ื’ื“ ื”ืื‘ ืžืชื‘ื˜ืืช ื‘ืฉื™ืจื• "Rockinโ€™ in the Free World" ื•ื›ื ื’ื“ ื”ื‘ืŸ ื‘ืืœื‘ื•ื "Living With War".


72. ื‘ืื•ื’ื•ืกื˜ 2020 ื”ื•ื ืชื‘ืข ื’ื ืืช ื”ื ืฉื™ื ื“ื•ื ืืœื“ ื˜ืจืืžืค ื‘ืกื›ื•ื ืฉืœ 150,000 ื“ื•ืœืจ, ื‘ื’ื™ืŸ ืฉื™ืžื•ืฉ ืฉืขืฉื” ื”ืงืžืคื™ื™ืŸ ืฉืœื• ื‘ืฉื ื™ื™ื ืžืฉื™ืจื™ื•, "Rockin' in the Free World" ื•- "Devil's Sidewalk".


73. ื ื™ืœ ื™ืื ื’ ื•- Bob Dylan ื”ื–ื›ื™ืจื• ืื—ื“ ืืช ืฉืžื• ืฉืœ ื”ืื—ืจ ื‘ืฉื™ืจื™ื ืฉื›ืชื‘ื•. ื™ืื ื’ ืขืฉื” ื–ืืช ืขื ื”ืฉื™ืจ "Bandit" ื•ื‘ื•ื‘ ื“ื™ืœืŸ ื‘ืฉื™ืจ "Highlands".


74. ืœื ื™ืœ ื™ืื ื’ ื™ืฉ ืกื•ื’ ืฉืœ ืื•ื‘ืกืกื™ื” ืœื™ืจื—. ื”ื•ื ื›ืชื‘ ื™ื•ืชืจ ืžืฉืœื•ืฉื™ื ืฉื™ืจื™ื ื”ืžืื–ื›ืจื™ื ืืช ื”ื™ืจื—.


75. ื ื™ืœ ื™ืื ื’ ืฉื—ืจืจ ื‘ืžื”ืœืš ืงืจื™ื™ืจืช ื”ืกื•ืœื• ืฉืœื•, ืœื ืคื—ื•ืช ืž- 41 ืืœื‘ื•ืžื™ ืื•ืœืคืŸ. ืขื›ืฉื™ื• ืชื•ืกื™ืคื• ืขืœ ื–ื” ืืช CSNY, ื‘ื•ืคืืœื• ืกืคืจื™ื ื’ืคื™ืœื“, ื”ื•ืคืขื•ืช, ืื•ืกืคื™ื ืงื•ืคืกืื•ืช ื•ืชื‘ื™ื ื• ืขื“ ื›ืžื” ื”ืื™ืฉ ื”ืžื“ื”ื™ื ื”ื–ื” ื›ืœ-ื›ืš ืคื•ืจื” ื•ืžืฉืคื™ืข ื’ื ื”ื™ื•ื.


76. ื’ื ืจืฉื™ืžืช ืฉื™ืชื•ืคื™ ื”ืคืขื•ืœื” ืฉืœ ื™ืื ื’ ื‘ืœืชื™ ื ื’ืžืจืช ื•ืžืขื‘ืจ ืœืื•ืžื ื™ื ืฉื›ื‘ืจ ื”ื–ื›ืจื ื• ื”ื•ื ื‘ื™ืŸ ื”ื™ืชืจ ืฉื™ืชืฃ ืคืขื•ืœื” ืขื The Monkees", Emmylou Harris, Warren Zevon, Randy Bachman, Jerry Lee Lewis, Chrissie Hynde, Sheryl Crow" ื•ืขื•ื“.


ืืชื ืžื•ื–ืžื ื™ื ืœืขืงื•ื‘ ืื—ืจื™ื ื• ื‘ืคื™ื™ืกื‘ื•ืง ื•/ืื• ืœื”ื™ืจืฉื ืœืืชืจ!!

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