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Roger Glover

ื”ืžืœื—ื™ืŸ, ื”ืžืคื™ืง ื•ื”ื‘ืกื™ืกื˜ ื”ืื’ื“ื™ Roger Glover ื—ื•ื’ื’ ื”ื™ื•ื ื™ื•ืžื”ื•ืœื“ืช.


(Photo: Carlos Delgado)

ื”ื•ื ื ื•ืœื“ ื‘ื•ื•ื™ืœืก ื‘- 30 ืœื ื•ื‘ืžื‘ืจ 1945.


ื”ื•ื ื™ื“ื•ืข ืœื ื• ื‘ืขื™ืงืจ ืžื—ื‘ืจื•ืชื• ื‘ื”ืจื›ื‘ MKII ืฉืœ ืœื”ืงืช "Deep Purple", ืื‘ืœ ื”ื•ื ื‘ื”ื—ืœื˜ ืœื ืจืง.


ื›ื‘ืจ ื‘ืชื™ื›ื•ืŸ ื”ื•ื ื”ืงื™ื ื™ื—ื“ ืขื ื—ื‘ืจื™ื• ืืช ืœื”ืงืช "Madisons" ืฉื‘ื”ืžืฉืš ื”ืชื’ืœื’ืœื” ืœืœื”ืงืช "Episode Six" ื‘ื” ื”ื™ื” ื—ื‘ืจ ื’ื Ian Gillan. ื”ืฉื ื™ื™ื ื”ืฆื˜ืจืคื• ืœื“ื™ืค ืคืจืคืœ ื‘ืฉื ืช 1969. ื’ืœื•ื‘ืจ ื ื‘ื—ืจ ืœืœื”ืงื” ื‘ื™ืŸ ื”ื™ืชืจ ื‘ืฉืœ ื™ื›ื•ืœืช ื”ื›ืชื™ื‘ื” ืฉืœื•.


ืชืคืงื™ื“ ื”ื‘ืก ื”ืจืืฉื•ืŸ ืฉื”ืงืœื™ื˜ ืœื“ื™ืค ืคืจืคืœ ื”ื™ื” ื‘ืžืกื’ืจืช ื”ืฉื™ืจ "Hallelujah" ืฉืฉื•ื—ืจืจ ื›ืกื™ื ื’ืœ.


ื‘ืกืคื˜ืžื‘ืจ 1969 ื”ื•ื ื›ื‘ืจ ื”ืงืœื™ื˜ ื™ื—ื“ ืขื "ื“ื™ืค ืคืจืคืœ" ื‘ืžื”ืœืš ื”ื•ืคืขื” ื‘ืื•ืœื ื”ืจื•ื™ืืœ ืืœื‘ืจื˜ ื”ื•ืœ, ืืช ืืœื‘ื•ืžื” "Concerto for Group and Orchestra".


ื‘ื™ื•ื ื™ 1970 ืฉื—ืจืจื” "ื“ื™ืค ืคืจืคืœ" ืืช ืืœื‘ื•ื ื”ืจื•ืง ื”ืจืืฉื•ืŸ ืฉืœื” ื‘ื”ืจื›ื‘ ืขื ื’ืœื•ื‘ืจ, "In Rock". ื›ื‘ืจ ื‘ืืœื‘ื•ื ื–ื” ื”ื•ื›ื™ื— ื’ืœื•ื‘ืจ ืืช ื™ื›ื•ืœื•ืช ื”ื›ืชื™ื‘ื” ื•ื”ื ื’ื™ื ื” ืฉืœื•.


ื‘ื”ืžืฉืš ื™ืฉื—ืจืจ ื’ืœื•ื‘ืจ ืขื ื”ืœื”ืงื” ืขื•ื“ ืฉืœื•ืฉื” ืืœื‘ื•ืžื™ ืžื•ืคืช, ืœืคื ื™ ืฉื™ืขื–ื•ื‘ ื™ื—ื“ ืขื ื’ื™ืœืŸ ืืช ื”ืœื”ืงื”.


ืœืื—ืจ ืฉืขื–ื‘ ืืช ื“ื™ืค ืคืจืคืœ ืฉื—ืจืจ ื—ืžื™ืฉื” ืืœื‘ื•ืžื™ ืกื•ืœื•, ื‘ื™ื ื™ื”ื ืืœื‘ื•ื ื”ืงื•ื ืกืคื˜ ืขื ืกื™ืคื•ืจ ื”ื™ืœื“ื™ื "The Butterfly Ball and the Grasshopper's Feast", ื‘ื• ืฉื™ืชืฃ ืคืขื•ืœื” ื‘ื™ืŸ ื”ื™ืชืจ ืขื David Coverdale ื•- Ronnie James Dio.


ื‘ื”ืžืฉืš ื”ืคืš ื’ืœื•ื‘ืจ ืœืžืคื™ืง ืžื‘ื•ืงืฉ ืฉื”ืคื™ืง ื‘ื™ืŸ ื”ื™ืชืจ ืืœื‘ื•ืžื™ื ืœืœื”ืงื•ืช ื›ืžื• "Nazareth", "ELF", "Judas Priest", Status" Quo", David Coverdale, "Michael Schenker Group", "Ian Gillan Band", "Rainbow" ื•ืขื•ื“.


ื‘ืฉื ื™ื 1979 ืขื“ 1984, ื”ื—ืœ ืžื”ืืœื‘ื•ื "Down to Earth", ืฉื™ืžืฉ ื’ืœื•ื‘ืจ ื›ื‘ืกื™ืกื˜, ื›ื•ืชื‘ ื”ืฉื™ืจื™ื ื•ื”ืžืคื™ืง ืฉืœ ืœื”ืงืช "Rainbow", ื™ื—ื“ ืขื ื—ื‘ืจื• ืžื“ื™ืค ืคืจืคืœ Ritchie Blackmore.


ื‘ืฉื ืช 1984 ื”ื•ื ื™ื”ื™ื” ื—ืœืง ืžื”ืื™ื—ื•ื“ ืฉืœ ื”ืจื›ื‘ MKII ืฉืœ ื“ื™ืค ืคืจืคืœ ืขื ืืœื‘ื•ื ื”ืงืืžื‘ืง ื”ืžื•ืคืœื "Perfect Strangers", ื•ืžืื– ื”ื•ื ื—ืœืง ืžื”ืœื”ืงื” ื•ืฉื—ืจืจ ืื™ืชื” ืขื•ื“ 10 ืืœื‘ื•ืžื™ ืื•ืœืคืŸ ืขื“ ืœื™ื•ื ื–ื”, ื›ื•ืœืœ ืืœื‘ื•ื ื”ืื•ืœืคืŸ ื”ืžืฆื•ื™ืŸ "Woosh" ื•ืืœื‘ื•ื ื”ืงืื‘ืจื™ื "Turning To Crime".


ื‘ืฉื ืช 1988 ืฉื—ืจืจ ื™ื—ื“ ืขื ืื™ืืŸ ื’ื™ืœืŸ ืืช ื”ืืœื‘ื•ื "Accidentally on Purpose".


ืœืจื•ื’'ืจ ื’ืœื•ื‘ืจ ื’ื ืœื ืžืขื˜ ืฉื™ืชื•ืคื™ ืคืขื•ืœื” ื•ื”ื•ื ื’ื ื”ื•ืคื™ืข ื›ื ื’ืŸ ื‘ืืœื‘ื•ืžื™ื ื•ื”ืจื›ื‘ื™ื ืฉื•ื ื™ื, ื‘ื™ื ื™ื”ื "Nazareth", "Pretty Maids", Alice Cooper ื•ื›ืžื•ื‘ืŸ ื‘ืืœื‘ื•ืžื™ ื”ืกื•ืœื• ืฉืœ ื—ื‘ืจื™ื• ืœื“ื™ืค ืคืจืคืœ, Jon Lord, Ian Gillan ื•- David Coverdale.


ืžืขื‘ืจ ืœื ื’ื™ื ืช ื”ื‘ืก ื’ืœื•ื‘ืจ ื’ื ืฉืจ ื•ืžื ื’ืŸ ื‘ื›ืœื™ื ื ื•ืกืคื™ื ื›ื’ื•ืŸ: ื’ื™ื˜ืจื”, ืงืœื™ื“ื™ื, ืžืคื•ื—ื™ืช ื•ืกืงืกื•ืคื•ืŸ.


ืื– ื‘ื•ืื• ื ืื—ืœ ืœืื’ื“ืช ื”ืจื•ืง ื”ืจื‘ื” ืžื–ืœ ื˜ื•ื‘ ื•ื ื—ื’ื•ื’ ืœื• ืขื ืคืœื™ื™ืœื™ืกื˜ ื ื—ืžื“ ืฉื”ื›ื ื• ืขื‘ื•ืจื›ื: ืœื—ืฆื• ื›ืืŸ.


ืืชื ืžื•ื–ืžื ื™ื ืœืขืงื•ื‘ ืื—ืจื™ื ื• ื‘ืคื™ื™ืกื‘ื•ืง ื•/ืื• ืœื”ื™ืจืฉื ืœืืชืจ!!

"ืขื™ืžื•ืช ื—ื–ื™ืชื™" - ื‘ืœื•ื’ ื”ืจื•ืง ืฉืœ ื™ืฉืจืืœ ื•ืคื•ื“ืงืืกื˜

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